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But in this dark era in Korea's history, politics and the state not only limit their freedoms, but ultimately push into their private lives as well.An unusual mix of politics and melodrama that ranges from 1980 up until the present day, The Old Garden represents a collaboration between two generations of anti-authoritarian artists: young director Im Sang-soo, known for his filmmaking talent and taste for controversy; and novelist Hwang Seok-young, a prizewinning author who spent the 1980s in exile and then served five years in prison in the 1990s for an unauthorized visit to North Korea.

But in this dark era in Korea's history, politics and the state not only limit their freedoms, but ultimately push into their private lives as well.An unusual mix of politics and melodrama that ranges from 1980 up until the present day, The Old Garden represents a collaboration between two generations of anti-authoritarian artists: young director Im Sang-soo, known for his filmmaking talent and taste for controversy; and novelist Hwang Seok-young, a prizewinning author who spent the 1980s in exile and then served five years in prison in the 1990s for an unauthorized visit to North Korea.

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Reviewed below: The Old Garden (Jan 4) -- Before the Summer Passes Away (Jan 18) -- Pruning the Grapevine (Feb 22) -- Beautiful Sunday (Mar 29) -- The Show Must Go On (Apr 5) -- Paradise Murdered (Apr 12) -- Driving With My Wife's Lover (Apr 26) -- Bunt (Apr 26) -- Secret Sunshine (May 23) -- The Evil Twin (May 23) -- Hwang Jin-yi (Jun 6) -- The Wonder Years (Jun 14) -- Never Forever (Jun 21) -- Black House (Jun 21) -- The Cut (Jul 11) -- Muoi (Jul 25) -- D-War (Aug 1) -- Epitaph (Aug 1) -- HERs (Aug 2) -- Wide Awake (Aug 8) -- Someone Behind You (Aug 22) -- The Happy Life (Sep 12) -- Happiness (Oct 3) -- Resurrection of the Butterfly (Oct 11) -- Going by the Book (Oct 18) -- Shadows in the Palace (Oct 18) -- M (Oct 25) -- Desert Dream (Nov 8) -- Fantastic Parasuicides (Nov 8) -- Seven Days (Nov 14) -- Our Town (Nov 29) -- Rainbow Eyes (Dec 27) -- Hansel and Gretel (Dec 27). Showing themselves in Seoul would surely result in their capture and arbitrary prosecution on some trumped-up charge, so they split up and go into hiding, with Hyun-woo being put up in a remote cabin by a woman named Yoon-hee.

Yoon-hee is more than hospitable, and very soon the two are sharing a bed and falling in love.

sense of gloom covered Korean cinema in the year 2007, with fewer strong films than in previous years, local audiences beginning to cool on Korean film, exports showing a continued decline, and the film industry suffering through a recession of sorts.

The first half of the year was particularly tough, with hardly any Korean films stirring up any excitement among viewers.

Comic book adaptation Le Grand Chef sold over three million tickets, though it might have been able to sell more if it had been better directed.

Meanwhile thriller Seven Days emerged as a true word of mouth hit, boosted by the fast tempo of its story and an electric performance from Kim Yun-jin.Independently-produced films also injected a bit of energy into the autumn and winter, although perhaps not to the same degree as in 2006.Milky Way Liberation Front, in particular, seemed to win over a large number of critics with its quirky charms.Its refusal to provide cathartic release is also admirable, given that the film bills itself as a melodrama.But there is a magic in the first half -- a sense of everything clicking together in harmony -- that evaporates in the latter reels, and I don't think this was the filmmaker's intention.May 18, based on the infamous Gwangju Uprising of 1980, took the same sort of blockbuster approach to history ushered in by Tae Guk Gi and Silmido in 2004.The film ended up with a massive 7.3 million tickets sold.The film as a whole has been warmly received by local critics, but it has generated some negative reviews abroad, and its festival career has not matched that of its predecessor The President's Last Bang.Im admits to embracing a more mainstream archetype in this film, which may partly account for its mis-matched reception, but there are other issues here as well.Im's adaptation of Hwang's novel of the same name boasts some very strong casting, with Ji Jin-hee maintaining a nice air of unpredictability around the character of Hyun-woo, and Yeom Jung-ah being given the best opportunity to showcase her acting abilities since A Tale of Two Sisters.The depth of talent in the large cast of supporting characters, many of whom are Im regulars, is also impressive.

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