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The forms of these wares have an instant appeal to one's heart; their colours have unique transparent depth, and their freely carved decoration is no less affecting... The shapes derived from nature such as those representing the human form further enhance its appeal.It is somewhat difficult to appreciate the beauty of celadon from a picture - one must look closely at the fine pattern of crazing under the deep azure-green glaze.

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Though its beauty can hardly be described to someone who has not seen or experienced it in person, the following descriptions by early 20th Century scholars come close.

On seeing Korean celadons for the first time, many find little to attract them, or are even somewhat repelled by the subdued bluish or greyish green tones, which they consider monotonous and far removed from the brightly coloured porcelains with which they are more familiar... For guests it is well to have Ming blue-and-white, for it stimulates the appetite.

The aesthetic beauty of the the early Koryo celadon lies in its subtle beauty and elegant simplicity.

So impressed were the Chinese scholars that they called Koryo celadon one of the 10 treasures of the world, while the Chinese artisans described its color as "beyond description".

Below are the Korean names for the various types of pottery and their Western equivalents: Cheong-ja - This is the name of the jade green pottery and is called either "celadon" as we have called it here, or "green celadon" to distinguish it from other types of Korean pottery.

The literal meaning of the word Cheong-Ja is blue/green porcelain.During the late 16th century the Japanese launched a series of invasions into Korea (Im Jin Wae Ran) and forcibly relocated many of the Korean artisans to Japan.These transplanted artisans helped to influence the direction and style of Japanese pottery and arts and account for the great similarity between the Korean and Japanese arts.Totally Free to Place Profile and connect with millions of quality Asian women now!Though the term "celadon" is somewhat misleading in that it means green, it has become widely accepted as the Western term for the Korean pottery, called Cheong-ja in Korean, with the distinctive jade-green color.To be sure, white porcelain and some brown porcelain was still produced but it was of a lower quality for daily use and not considered art in itself.After Korea's liberation from Japanese rule at the end of WWII and through the Korean war (1950-1953) survival, and not art, was the order of the day.It was somewhat rougher in finish than the celadon had been, and did not possess such delicate beauty.White porcelain appeared in the early 16th Century and like the earlier brown porcelain, was widely manufactured and used by the common people throughout Korea.In 1910 Korea was forcibly colonized by the Japanese bringing to an end the Chosun Dynasty.During the Japanese colonial period (1910-1945) Korean pottery as an art form, all but died out.


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